I direct ideas from first insight to finished world: campaign concepts, brand systems and event experiences across Egypt and Saudi Arabia. The visuals you'll see here are the last step of the thinking.
Every brief hides a human truth. I find it before I open any design tool, because a campaign built on a real feeling doesn't need to shout to be heard.
One idea strong enough to survive every touchpoint: the key visual, the booth panel, the story frame, the uniform. If it breaks anywhere, it isn't the idea.
Then I build the world: identity, environment, content, motion. One system, no orphans, and I stay until the last file is print-ready.
Ten years across agencies, in-house teams and my own clients taught me one thing: beautiful isn't the goal, believable is. I lead concepts, mentor designers and present the pitch, in Cairo and in Riyadh.
My philosophy →A large scale edutainment event where the message wasn't printed on the walls. It became the walls
Rahet Bally needed GROW, its edutainment and self care day for thousands of Egyptian women, to feel unmissable: one emotional message carried across every single touchpoint.
Self-care content is everywhere, and it all whispers. How do you make self-love loud enough to leave the feed and fill a park?
Moms don't need another reminder to rest. They need permission to play.
Dopamine as a design system. Hearts you walk under, mirrors you find yourself in, flowers taller than you are, and sun-bright color everywhere, so celebrating yourself becomes physical, photographable and shareable.
The creative thinking behind the world: the visual concept presentation that sold the idea before a single element was built.
The world on the day itself: the heart arch, the Self Love Studio, and thousands of moms stepping inside the idea.
The event in motion: coverage reels that carried the energy back to the feed.
A takeaway world in a basket: the branded self-care kit every attendee carried home.
The same dopamine system, translated to the feed: tone-of-voice posts that built anticipation before the gates opened.
One cohesive world across every attendee touchpoint, before, during and after the event.
Egypt's biggest motherhood platform doesn't need pretty posts. It needs a voice millions of moms recognize mid-scroll. The insight behind everything: moms trust a friend, not a brand.
Collage, memes and real life: a visual language that talks like the community it serves, week after week.
The #1 Egyptian pregnancy tracker: where the polish comes out. A launch campaign that made an app feel like a companion.
Regulated and competitive categories, each with its own voice: Nestlé NAN 3, Pfizer and 360 Fitness, campaign by campaign.
Food apps, fertility clinics and B2B content brands: same method, different worlds.
Kiosks, branded vehicles, uniforms, invitations and stationery systems for Unilever, Dove, Fixawy, Techne Summit, Emporia and ARIA.
Building brands from nothing: Baityea's logo presentation, Better Bee end to end, and a wall of identity marks, each built to scale.
Where brand building starts: the full logo presentation, page by page, exactly as the client saw it.
A specialty coffee founder, a name, and nothing else. This is what end-to-end looks like: strategy, mark, characters, packaging and uniforms, direct to founder.
A butterfly-bee mark, hand-drawn characters who actually enjoy their coffee, and a strict palette of monochrome plus honey gold. Warm enough for a neighborhood café, disciplined enough to scale.
The full identity presentation, exactly as it was pitched to the founder: strategy, mark construction, characters and applications.
Marks for fashion, real estate, F&B and creative studios, each built to scale into a full system.
A snack shelf is a shouting match. The brief: three product lines, one brand, endless flavors to come. The answer isn't a design, it's a system.
Color-coded lines, one loud type voice, appetite-first illustration. Every new flavor slots in without a redesign, and the block on the shelf reads as one brand from five meters away.
The same system thinking applied across beauty, baby care and F&B packaging.
Work made for the Saudi market: government campaigns, gyms, malls and agency brands, Arabic-first and culture-fluent.
"The beginning of the story." An identity for Riyadh's ideas stage where Arabic calligraphy carries the concept: every keyhole, staircase and fingerprint is a story about to start.
Working for the Saudi market means designing inside a different cultural register: Arabic-first typography, institutional partners, and campus-scale environmental graphics. This project is my proof of fluency in both markets.
Creative direction doesn't stop at stills. These are selected productions where I led the visual direction, from concept and mood to styling, composition, and the final frame.
The thinking, exactly as it was pitched: full decks, page by page.
A space without briefs, expectations, or limitations. Just curiosity, instinct, and the freedom to create whatever feels worth exploring.
Food styling and shoot direction for F&B brands: the craft side of art direction.
I'm Malak Ossama, an Art Director based in Egypt working across the Egyptian and Saudi markets. For ten years I've led campaign concepts end to end: finding the insight, defining the direction, building the visual system, and staying through production until the world is real. I review and mentor designers, present the pitch, and take responsibility for the idea, not just the artwork.
Strategy is my sketchbook. Before any visual exists I want to know what the audience already believes, what the brand needs them to feel, and what single idea bridges the two. Once that idea exists, craft is non-negotiable: typography, color, rhythm and detail are how strategy becomes visible.
FemTech, Healthcare & Pharmaceuticals, FMCG, Food & Beverage, Retail, Hospitality, Lifestyle, Interior Design, Events & Experiential Marketing
Worlds people want to photograph themselves inside. Ideas strong enough to scale from a social story to a stage, from packaging to immersive experiences, without ever losing their identity.